Playing Piano with No Speakers
2017
TITLE: Playing Piano with No Speakers
ARTIST: Keiichiro Shibuya
PLACE/DATE:
Daikanyama Hillside Plaza
2017/6/18 18:30 OPEN 19:00 START
Venue:
STIMMER SAAL
Date:
Tue, 8 Dec 2015 Open: 19:00 ~ Start: 20:00 ~
S: 8,000yen (tax in/20seats)
A: 5,000yen (tax in/80seats)
DAY:6,500yen (tax in)
100seats
sonorium
September 2nd(wed) 2015 – open 18:30 | start 19:00
September 3rd(thu) 2015 – open 18:30 | start 19:00
ADV 5000yen (tax not included)
DAY 6500yen (tax not included)
100 seats / free seating
Credit:
Organized by ATAK
—
Playing Piano with No Speakers
Ever since I released my first piano solo album “ATAK015 for maria”, I have put on piano solo concerts in various places and forms.
I always think that a sound from piano directly is abundantly different from a sound through a speaker.
It doesn’t mean which one is better, I don’t know the instrument more affected by the presence or absence of microphone and speaker than piano.
So I have come to think I would like to put on a concert consisted of a sound from piano directly and a resonance sound of instruments.
I decided to put on a piano solo concert during staying in Japan. There is no microphone and speaker, and only 100 audience can listen to it at a time.
I selected Sonorium in Eifuku-cho as that venue, I have put on the concert “for maria” one year before I released the album, has same title(the concert became the basis of the album).
Sonorium, planned by Jun Aoki(architect), designed for piano performance specialty. It has a half of ceiling height below ground, so the sound from piano is controlled absolutely there. I clearly remember that I was amazed the sound when i took a test play in the hall. I went to take a preview here just only for the reason that hall looks like a church.
I think that if it had not been for that concert in 2008, I could not have created “for maria” and played piano in public.
I would like to try a minimum concert in the hall, I have faced a turning point in a sense.
I’m planning to play some classical pieces, not only my pieces.
Keiichiro Shibuya
photograph by Kenshu Shintsubo