THE RED BRICK, Yokohama (2018)

Date:15〜18 February 2018
Venue:Yokohama Red Brick Warehouse No.1 3rd floor hall

CREDIT
Composition, ordinateur et piano

Keiichiro Shibuya

Dance

Jérémie Bélingard, danseur étoile du Ballet de l’Opéra national de Paris

Video, Installation

Justine Emard

The original Parade was a 15-minute production featuring music by Erik Satie, art by Pablo Picasso, and a script by Jean Cocteau. In Parade for The End of The World, the theme of “a parade toward the end of the world” has been developed into a roughly 50-minute piece, with an in-progress version of the work being unveiled. Regarding this project, Shibuya explained, “The rhythmical aspects of Satie’s score—such as beats, meter structures, and tempo changes—are faithfully followed, but all the sounds are replaced, with occasional synthesized motifs inserted.”

The creative process has been featured across three episodes on lute.

Episode 1 showcases the production process leading up to the work-in-progress performance held on May 27 and 28, 2016, at the Maison de la Culture du Japon à Paris (The Japan Cultural Institute in Paris). It also includes interviews with the three creators, discussing the project’s outline and concept.

Episode 2 delves into the creative processes of each artist—music by Keiichiro Shibuya, dance and choreography by Jérémy Bélingard, and video and visuals by Justine Emard—accompanied by interviews. It explores how these artists interpreted, conceptualized, and approached the legendary stage work Parade, originally created by historic artistic figures.

Episode 3 presents the reflections of the three performers following the work-in-progress presentation. It also features a special interview with Paris-based Japanese artist Aki Kuroda, who has interacted with figures like Jacques Derrida and Marguerite Duras and was responsible for stage design in the 1993 Avignon Theatre Festival’s revival of Parade. Additionally, the episode incorporates audience impressions, offering further insights into the appeal of Parade for The End of The World.

 

http://www.mcjp.fr/fr/agenda/parade-for-the-end-of-the-world

http://www.mcjp.fr/fr/agenda/parade-for-the-end-of-the-world

横浜ダンスコレクション2018

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CREDIT
Composition, ordinateur et piano

Keiichiro Shibuya

Dance

Jérémie Bélingard, danseur étoile du Ballet de l’Opéra national de Paris

Video, Installation

Justine Emard

Maison de la Culture du Japon a Paris (2016)

Date:27, 28 May 2016
Venue:Maison de la Culture du Japon a Paris

CREDIT
Composition, ordinateur et piano

Keiichiro Shibuya

Dance

Jérémie Bélingard, danseur étoile du Ballet de l’Opéra national de Paris

Video, Installation

Justine Emard

The original Parade was a 15-minute production featuring music by Erik Satie, art by Pablo Picasso, and a script by Jean Cocteau. In Parade for The End of The World, the theme of “a parade toward the end of the world” has been developed into a roughly 50-minute piece, with an in-progress version of the work being unveiled. Regarding this project, Shibuya explained, “The rhythmical aspects of Satie’s score—such as beats, meter structures, and tempo changes—are faithfully followed, but all the sounds are replaced, with occasional synthesized motifs inserted.”

The creative process has been featured across three episodes on lute.

 

Episode 1 showcases the production process leading up to the work-in-progress performance held on May 27 and 28, 2016, at the Maison de la Culture du Japon à Paris (The Japan Cultural Institute in Paris). It also includes interviews with the three creators, discussing the project’s outline and concept.

 

Episode 2 delves into the creative processes of each artist—music by Keiichiro Shibuya, dance and choreography by Jérémy Bélingard, and video and visuals by Justine Emard—accompanied by interviews. It explores how these artists interpreted, conceptualized, and approached the legendary stage work Parade, originally created by historic artistic figures.

 

Episode 3 presents the reflections of the three performers following the work-in-progress presentation. It also features a special interview with Paris-based Japanese artist Aki Kuroda, who has interacted with figures like Jacques Derrida and Marguerite Duras and was responsible for stage design in the 1993 Avignon Theatre Festival’s revival of Parade. Additionally, the episode incorporates audience impressions, offering further insights into the appeal of Parade for The End of The World.

 

http://www.mcjp.fr/fr/agenda/parade-for-the-end-of-the-world

CREDIT
Composition, ordinateur et piano

Keiichiro Shibuya

Dance

Jérémie Bélingard, danseur étoile du Ballet de l’Opéra national de Paris

Video, Installation

Justine Emard