New National Museum Tokyo (2022)

Date : Nov 15th 2022 at 7:00pm
Venue : New National Museum Tokyo

PROGRAM
M0

Opening

M1

Scary Beauty

Interval

Speech by Alter4

M2

The Decay of the Angels

Interval

Improvisation between Shibuya’s piano + Alter4

M3

Midnight Swan

CREDIT
Composition, Concept, Direction, Electronics

Keiichiro Shibuya

Vocals

Alter4

Orchestras

Android Programming

Shintaro Imai

Sound

Yuki Suzuki

Lighting

Wataru Kawasaki

Visual

Kotaro Konishi

Stage Manager

Kazuya Kushimoto, So Ozaki

Project/Production Manager

Natsumi Matsumoto

Production

ATAK

 

 

Android – Alter4

Belonging to Osaka University of Arts – Art Science Department
Android and Music Science Laboratory (AMSL)

Design supervised

Hiroshi Ishiguro

Music supervised

Keiichiro Shibuya

Programming

Shintaro Imai

Pedestal design

Kazuyo Sejima & Associates

Keiichiro Shibuya performed his android opera at the National Art Center Tokyo for the event “FORWARDISM BMW THE SEVEN Art Museum” presented by BMW. With Keiichiro’s piano and electronics, 40 orchestra and humanoid robots Alter4 played three music at the party.

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PROGRAM
M0

Opening

M1

Scary Beauty

Interval

Speech by Alter4

M2

The Decay of the Angels

Interval

Improvisation between Shibuya’s piano + Alter4

M3

Midnight Swan

CREDIT
Composition, Concept, Direction, Electronics

Keiichiro Shibuya

Vocals

Alter4

Orchestras

Android Programming

Shintaro Imai

Sound

Yuki Suzuki

Lighting

Wataru Kawasaki

Visual

Kotaro Konishi

Stage Manager

Kazuya Kushimoto, So Ozaki

Project/Production Manager

Natsumi Matsumoto

Production

ATAK

 

 

Android – Alter4

Belonging to Osaka University of Arts – Art Science Department
Android and Music Science Laboratory (AMSL)

Design supervised

Hiroshi Ishiguro

Music supervised

Keiichiro Shibuya

Programming

Shintaro Imai

Pedestal design

Kazuyo Sejima & Associates

Nagoya University, Nagoya (2021)

Date: 16th Oct 2021
Venue: Nagoya University

CREDIT
Concept, Composition, Direction, Piano

Keiichiro Shibuya

Vocal

Alter3

Conductor

Motoharu Kawashima

Orchestra

Nagoya Philharmonic Orchestra

Android Programming

Shintaro Imai, Takashi Ikegami

Special Thanks

Kohei Ogawa

Lighting

Takayuki Fujimoto (Kinsei R&D)

Sound

Yoshiyuki Kanamori, So Matsumura, Yu Kudo, Ryohei Ikeda(Oasis)

Video

Kotaro Konishi

Live Streaming

Yuki Suzuki(Oasis)

Technical Assistants

johnsmith, Yuki Yamashiro

Stage Managers

So Ozaki, Kazuya Kushimoto

Production Manager

Natsumi Matsumoto

Lighting Equipment Support

Pi PHOTONICS, INC.

Special Thanks

Kunitachi College of Music, Alternative Machine, Warner Music Japan, mixi, Inc.

Nagoya University 150th Anniversary Event: First Collaboration Between Androids and the Nagoya Philharmonic Orchestra-Keiichiro Shibuya Android Opera Scary Beauty

After Talk
Following the performance, an after-talk featuring Keiichiro Shibuya (Composer, musician), Kohei Ogawa (Researcher), Motohiro Kawashima (Composer, conductor), Shintaro Imai (Computer musician), and Takashi Ikegami (Researcher) will take place.
After-talk coordinator: Kenji Ohno, Vice President of Nagoya University

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CREDIT
Concept, Composition, Direction, Piano

Keiichiro Shibuya

Vocal

Alter3

Conductor

Motoharu Kawashima

Orchestra

Nagoya Philharmonic Orchestra

Android Programming

Shintaro Imai, Takashi Ikegami

Special Thanks

Kohei Ogawa

Lighting

Takayuki Fujimoto (Kinsei R&D)

Sound

Yoshiyuki Kanamori, So Matsumura, Yu Kudo, Ryohei Ikeda(Oasis)

Video

Kotaro Konishi

Live Streaming

Yuki Suzuki(Oasis)

Technical Assistants

johnsmith, Yuki Yamashiro

Stage Managers

So Ozaki, Kazuya Kushimoto

Production Manager

Natsumi Matsumoto

Lighting Equipment Support

Pi PHOTONICS, INC.

Special Thanks

Kunitachi College of Music, Alternative Machine, Warner Music Japan, mixi, Inc.

Sharjah Art Foundation, Sharjah (2020)

Date : 2020/1/31 16:00 START

Venue : Sharjah Art Foundation, UAE
Inter-Resonance: Inter-Organics Japanese Performance and Sound Art

PROGRAM
M1

The Third Mind

M2.

Introduction

M3.

Scary Beauty

M4.

The Decay of the Angel

M5.

On Certainty

CREDIT
Concept, Composition, Direction, Piano

Keiichiro Shibuya

Vocals, Conducting

Alter 3 (Supported by mixi, Inc.)

Orchestra Performance

NSO Symphony Orchestra (UAE)

System Architect and Electronics

Kotobuki Hikaru

Music Technical Adviser

Yasuaki Itakura, Motoharu Kawashima

Sound Design

Yoshiyuki Kanamori, Yu Kudo (Oasis Sound Design Inc)

Lighting Design

Takayuki Fujimoto (Kinsei R&D)

Alter 3 Performance Operation & Development

johnsmith

Video Operation

Kotaro Konishi

Technical Assistant

Motoki Ohkubo

Program Support

Masayuki Momo, Shinichi Yamaguchi, Koji Takahashi

Stage Manager

So Ozaki, Kazuya Kushimoto

Alter Series Hardware and Software Architecture Design & Programming

Hiroshi Ishiguro, Kohei Ogawa, Takashi Ikegami, Itsuki Doi

Alter 3 Software Architecture Design & Programming

Atsushi Masumori, Norihiro Maruyama, Alternative Machine Inc

Alter 3 Simulator Development

mixi, Inc.

Score Writing

Nozomu Kaneda

Vocaloid Support

Justine Emard

Public Relations

Naoki Takami (Warner Music Japan)

Production Management

Naomi Ohki, Natsumi Matsumoto, Misato Aonami

Producer

Kazunao Abe

Executive Producer

Takehito Masui (Warner Music Japan)

Produced by

Warner Music Japan Inc / ATAK TOKYO CO, LTD

This festival, curated by Yuko Hasegawa (Councilor of the Museum of Contemporary Art Tokyo), focuses on performance art and sound installations that evoke new relationships between the natural world and materiality. The festival showcases works at various locations in Sharjah, embodying a unique Japanese philosophy of animism in the context of human and non-human interrelationships.

The Middle East premiere of the Android Opera Scary Beauty was held as the festival’s finale in September 2019 at the newly established Sharjah Performing Arts Academy. The performance was made possible through a collaboration with the local NSO Symphony Orchestra (UAE).

Official Website

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PROGRAM
M1

The Third Mind

M2.

Introduction

M3.

Scary Beauty

M4.

The Decay of the Angel

M5.

On Certainty

CREDIT
Concept, Composition, Direction, Piano

Keiichiro Shibuya

Vocals, Conducting

Alter 3 (Supported by mixi, Inc.)

Orchestra Performance

NSO Symphony Orchestra (UAE)

System Architect and Electronics

Kotobuki Hikaru

Music Technical Adviser

Yasuaki Itakura, Motoharu Kawashima

Sound Design

Yoshiyuki Kanamori, Yu Kudo (Oasis Sound Design Inc)

Lighting Design

Takayuki Fujimoto (Kinsei R&D)

Alter 3 Performance Operation & Development

johnsmith

Video Operation

Kotaro Konishi

Technical Assistant

Motoki Ohkubo

Program Support

Masayuki Momo, Shinichi Yamaguchi, Koji Takahashi

Stage Manager

So Ozaki, Kazuya Kushimoto

Alter Series Hardware and Software Architecture Design & Programming

Hiroshi Ishiguro, Kohei Ogawa, Takashi Ikegami, Itsuki Doi

Alter 3 Software Architecture Design & Programming

Atsushi Masumori, Norihiro Maruyama, Alternative Machine Inc

Alter 3 Simulator Development

mixi, Inc.

Score Writing

Nozomu Kaneda

Vocaloid Support

Justine Emard

Public Relations

Naoki Takami (Warner Music Japan)

Production Management

Naomi Ohki, Natsumi Matsumoto, Misato Aonami

Producer

Kazunao Abe

Executive Producer

Takehito Masui (Warner Music Japan)

Produced by

Warner Music Japan Inc / ATAK TOKYO CO, LTD

Düsseldorf, Germany(2019)

Date : 2019/3/13 20:00 START

Venue : Robert-Schumann-Saal, Düsseldorf, Germany

Festival Hi! Robot Mensch Machin

CREDIT
Concept, Composition, Direction, Piano

Keiichiro Shibuya

Vocal & Conductor

Alter 3 (Powered by mixi, Inc.)

Orchestral Performance

The Japanese Philharmonic Düsseldorf

System Architect & Electronics

Hikaru Kotobuki

Alter Series Joint Research

Hiroshi Ishiguro, Kohei Ogawa, Takashi Ikegami, Itsuki Doi

Alter 3 Software Design & Development

Atsushi Masumori, Norihiro Maruyama, Alternative Machine Inc.

Alter 3 Simulator Development

mixi, Inc.

Alter 3 Performance Control & Development

Soyo Kandagawa (Gekidan Suigadou)

Lighting

Takayuki Fujimoto (Kinsei R&D)

Sound

Yoshiyuki Kanamori, Yu Kudo (Oasis Inc.)

Visuals

Yoshihiro Yoshida

Technical Assistant

John Smith

Support Programming

Masayuki Momo, Shinichi Yamaguchi

Stage Manager

Satoshi Ozaki

Performance Advisors

Yasuaki Itakura, Motoharu Kawashima

Score Preparation

Nozomi Kaneda, Osamu Suzuki

Vocaloid Support

Justine Emard

Public Relations

Naoki Takami (Warner Music Japan Inc.)

Production

Naomi Ooki, Tamami Kanda, Kana Yoshikawa

Producers

Kazunao Abe, Shigeru Ogawa

Executive Producer

Takehito Masui (Warner Music Japan Inc.)

Production by

Warner Music Japan Inc. / ATAK Tokyo Inc.

Special Cooperation

Ishiguro Laboratory (Osaka University), Ikegami Laboratory (The University of Tokyo), The National Museum of Emerging Science and Innovation, Alternative Machine Inc., mixi, Inc.

Cooperation

Init Inc., Crypton Future Media Inc., Pi Photonics Inc.

Special Thanks

Hiroki Kimura (mixi, Inc.), Mahoro Uchida

The Android Opera Scary Beauty had its European premiere on March 13 at the Robert-Schumann-Saal in Düsseldorf, Germany. This opera features the AI-powered android Alter 3 conducting a human orchestra and performing as a singer. The performance marked the opening of the “Hi, Robot! Mensch Maschine Festival” event. This is the first time that Alter 3 has been used in an international performance. Following the concert, Alter 3 was exhibited at the NRW-Forum in Germany as part of the exhibition “Korperwende,” which ran from March 15 to May 5.

 

 

CREDIT
Concept, Composition, Direction, Piano

Keiichiro Shibuya

Vocal & Conductor

Alter 3 (Powered by mixi, Inc.)

Orchestral Performance

The Japanese Philharmonic Düsseldorf

System Architect & Electronics

Hikaru Kotobuki

Alter Series Joint Research

Hiroshi Ishiguro, Kohei Ogawa, Takashi Ikegami, Itsuki Doi

Alter 3 Software Design & Development

Atsushi Masumori, Norihiro Maruyama, Alternative Machine Inc.

Alter 3 Simulator Development

mixi, Inc.

Alter 3 Performance Control & Development

Soyo Kandagawa (Gekidan Suigadou)

Lighting

Takayuki Fujimoto (Kinsei R&D)

Sound

Yoshiyuki Kanamori, Yu Kudo (Oasis Inc.)

Visuals

Yoshihiro Yoshida

Technical Assistant

John Smith

Support Programming

Masayuki Momo, Shinichi Yamaguchi

Stage Manager

Satoshi Ozaki

Performance Advisors

Yasuaki Itakura, Motoharu Kawashima

Score Preparation

Nozomi Kaneda, Osamu Suzuki

Vocaloid Support

Justine Emard

Public Relations

Naoki Takami (Warner Music Japan Inc.)

Production

Naomi Ooki, Tamami Kanda, Kana Yoshikawa

Producers

Kazunao Abe, Shigeru Ogawa

Executive Producer

Takehito Masui (Warner Music Japan Inc.)

Production by

Warner Music Japan Inc. / ATAK Tokyo Inc.

Special Cooperation

Ishiguro Laboratory (Osaka University), Ikegami Laboratory (The University of Tokyo), The National Museum of Emerging Science and Innovation, Alternative Machine Inc., mixi, Inc.

Cooperation

Init Inc., Crypton Future Media Inc., Pi Photonics Inc.

Special Thanks

Hiroki Kimura (mixi, Inc.), Mahoro Uchida

CREDIT
Concept, Composition, Direction, Piano

Keiichiro Shibuya

Vocal & Conductor

Alter 2

Orchestral Performance

Orchestra of Volunteer Students & Alumni from Kunitachi College of Music

Android Development & Joint Research

Hiroshi Ishiguro, Kohei Ogawa (Android Production), Takashi Ikegami, Itsuki Doi (Android Programming)

System Architect & Electronics

Hikaru Kotobuki

Support Programming

Masayuki Momo, Shinichi Yamaguchi

Lighting

Takayuki Fujimoto

Sound

Yoshiyuki Kanamori

Visuals

Tomohito Wakui

Stage Manager

Satoshi Ozaki

Technical Assistant

John Smith

Orchestra Performance Supervision

Motoharu Kawashima

Orchestra Performance Guidance

Yasuaki Itakura

Score Preparation

Osamu Suzuki

Sound Program Support

Daichi Miyata

Vocaloid Support

Justine Emard

Supervisor

Takehito Masui (Warner Music Japan Inc.)

Production

Naomi Ooki, Tamami Kanda, Momoko Nakamura

Organizer

ALIFE Lab.

Co-organizer

The National Museum of Emerging Science and Innovation

Special Cooperation

Ishiguro Laboratory (Osaka University), Ikegami Laboratory (The University of Tokyo), Alternative Machine Inc., Canon Marketing Japan Inc.

Cooperation

Innovator Japan Inc., Warner Music Japan Inc., Various Dimensions Inc., Tohjak inc., Yamaha Music Japan Co., Ltd., Crypton Future Media Inc., NATIVE INSTRUMENTS JAPAN Inc., Hi-Resolution Co., Ltd., Casio Computer Co., Ltd., Pi Photonics Inc., Tama Tech Lab, Studio ATLAS

Sponsorship

Orange Inc.

Grant Support

Arts Council Tokyo, Tokyo Metropolitan Foundation for History and Culture

The operatic performance Scary Beauty, conceived and directed by composer and musician Keiichiro Shibuya, features a humanoid android with artificial intelligence (AI) that conducts a human orchestra and sings alongside the players. Although Shibuya composed the music, the android, Alter 3, is responsible for deciding and leading tempo, volume and singing expression.

 

The opera lyrics are an amalgamation of critical texts: a love song by Michel Houellebecq, cut-up texts by William S. Burroughs, extracts from Ludwig Wittgenstein’s last work, On Certainty, and others.

 

A metaphor for the transitional nature of the relationship between humans and technology, the performance shows the fatalistic side of the future, where humans cannot exist without the technology they create.

 

A prototype of the opera with an early version of the android was performed in Australia in 2017. The work then had its world premiere with an updated android called Alter 2 at ALIFE 2018, which was an international conference on artificial life at the Miraikan, Tokyo. Alter 2 was created by robot scientist Hiroshi Ishiguro, and it used an autonomous AI program developed by artificial life scientist Takashi Ikegami. Alter 3 is the newest iteration of the android, further developed by the scientists with contributions from mixi, Inc. and Warner Music Japan Inc. The latest version of the opera with Alter 3 was successfully performed in Düsseldorf in 2019 and in Sharjah (UAE) in 2020 Jan.

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CREDIT
Concept, Composition, Direction, Piano

Keiichiro Shibuya

Vocal & Conductor

Alter 2

Orchestral Performance

Orchestra of Volunteer Students & Alumni from Kunitachi College of Music

Android Development & Joint Research

Hiroshi Ishiguro, Kohei Ogawa (Android Production), Takashi Ikegami, Itsuki Doi (Android Programming)

System Architect & Electronics

Hikaru Kotobuki

Support Programming

Masayuki Momo, Shinichi Yamaguchi

Lighting

Takayuki Fujimoto

Sound

Yoshiyuki Kanamori

Visuals

Tomohito Wakui

Stage Manager

Satoshi Ozaki

Technical Assistant

John Smith

Orchestra Performance Supervision

Motoharu Kawashima

Orchestra Performance Guidance

Yasuaki Itakura

Score Preparation

Osamu Suzuki

Sound Program Support

Daichi Miyata

Vocaloid Support

Justine Emard

Supervisor

Takehito Masui (Warner Music Japan Inc.)

Production

Naomi Ooki, Tamami Kanda, Momoko Nakamura

Organizer

ALIFE Lab.

Co-organizer

The National Museum of Emerging Science and Innovation

Special Cooperation

Ishiguro Laboratory (Osaka University), Ikegami Laboratory (The University of Tokyo), Alternative Machine Inc., Canon Marketing Japan Inc.

Cooperation

Innovator Japan Inc., Warner Music Japan Inc., Various Dimensions Inc., Tohjak inc., Yamaha Music Japan Co., Ltd., Crypton Future Media Inc., NATIVE INSTRUMENTS JAPAN Inc., Hi-Resolution Co., Ltd., Casio Computer Co., Ltd., Pi Photonics Inc., Tama Tech Lab, Studio ATLAS

Sponsorship

Orange Inc.

Grant Support

Arts Council Tokyo, Tokyo Metropolitan Foundation for History and Culture

Adelaide Festival, Adelaide (2017)

Date : 30 Sep 2017 18:00,  1 Oct 14:00

Venue: Space Theatre Adelaide Festival Centre

CREDIT
ARTIST

Keiichiro Shibuya + Skelton

“Scary Beauty” is the concept advocated by Keiichiro Shibuya and will continue to develop in various projects in future.

 

“Scary beauty” is a new mono opera performed by “Skelton”(humanoid android) with human orchestra. This android has been developed by Hiroshi Ishiguro(professor in Osaka University) and improved the degree of freedom in motion like human by Takashi Ikegami(professor in Tokyo University).

 

The music has three parts, each part is composed of a collage of text in each works by Michel Houellebecq, Yukio Mishima and William Burroughs. This texts is selected as imaging a weird scene after all mankind become extinct. Android in asexual condition sings in a synthetic voice with a 10 peace traditional chamber orchestra.

 

And a worldwide fashion house “sacai”, leaded by Chitose Abe produces android’s costume.

 

When seeing scenes from a motion like human to a motion cannot human do with a weird voice cannot human utter by android, what is on our mind? There are coexistence of some elements beyond our image and contrast, audience will gain a new feeling between scary and beauty.

 

The motion on “Skelton” is not programed in advance, it is generated by orchestra performance in real time. This generating system adopt “Spiking neural network” composed of a model copying neuron systems in human brain. An output of this network is expressed as android’s behavior, it has many patterns from kind of periodic to chaotic, it depends on a performance by human orchestra. It is world’s first performance with android and human.

 

Australian Art Orchestra(AAO),succeeding multidisciplinary activities as contemporary music ensemble performs with android. Shibuya plays as composer, conductor and piano player.

 

In stage production, Takayuki Fujimoto produces stage lighting and Tomohito Wakui produces projected image. There is a large two plane screen behind the stage, projected a live broadcasting on the stage and edited video in advance, with lighting by full use of LED.

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CREDIT
ARTIST

Keiichiro Shibuya + Skelton