Android Opera Scary Beauty
Date : Nov 15th 2022 at 7:00pm
Venue : New National Museum Tokyo
- M0
Opening
- M1
Scary Beauty
- Interval
Speech by Alter4
- M2
The Decay of the Angels
- Interval
Improvisation between Shibuya’s piano + Alter4
- M3
Midnight Swan
- Composition, Concept, Direction, Electronics
Keiichiro Shibuya
- Vocals
Alter4
Orchestras
- Android Programming
Shintaro Imai
- Sound
Yuki Suzuki
- Lighting
Wataru Kawasaki
- Visual
Kotaro Konishi
- Stage Manager
Kazuya Kushimoto, So Ozaki
- Project/Production Manager
Natsumi Matsumoto
- Production
ATAK
Android – Alter4
Belonging to Osaka University of Arts – Art Science Department
Android and Music Science Laboratory (AMSL)
- Design supervised
Hiroshi Ishiguro
- Music supervised
Keiichiro Shibuya
- Programming
Shintaro Imai
- Pedestal design
Kazuyo Sejima & Associates
Keiichiro Shibuya performed his android opera at the National Art Center Tokyo for the event “FORWARDISM BMW THE SEVEN Art Museum” presented by BMW. With Keiichiro’s piano and electronics, 40 orchestra and humanoid robots Alter4 played three music at the party.
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- M0
Opening
- M1
Scary Beauty
- Interval
Speech by Alter4
- M2
The Decay of the Angels
- Interval
Improvisation between Shibuya’s piano + Alter4
- M3
Midnight Swan
- Composition, Concept, Direction, Electronics
Keiichiro Shibuya
- Vocals
Alter4
Orchestras
- Android Programming
Shintaro Imai
- Sound
Yuki Suzuki
- Lighting
Wataru Kawasaki
- Visual
Kotaro Konishi
- Stage Manager
Kazuya Kushimoto, So Ozaki
- Project/Production Manager
Natsumi Matsumoto
- Production
ATAK
Android – Alter4
Belonging to Osaka University of Arts – Art Science Department
Android and Music Science Laboratory (AMSL)
- Design supervised
Hiroshi Ishiguro
- Music supervised
Keiichiro Shibuya
- Programming
Shintaro Imai
- Pedestal design
Kazuyo Sejima & Associates
Date: 16th Oct 2021
Venue: Nagoya University
- Concept, Composition, Direction, Piano
Keiichiro Shibuya
- Vocal
Alter3
- Conductor
Motoharu Kawashima
- Orchestra
Nagoya Philharmonic Orchestra
- Android Programming
Shintaro Imai, Takashi Ikegami
- Special Thanks
Kohei Ogawa
- Lighting
Takayuki Fujimoto (Kinsei R&D)
- Sound
Yoshiyuki Kanamori, So Matsumura, Yu Kudo, Ryohei Ikeda(Oasis)
- Video
Kotaro Konishi
- Live Streaming
Yuki Suzuki(Oasis)
- Technical Assistants
johnsmith, Yuki Yamashiro
- Stage Managers
So Ozaki, Kazuya Kushimoto
- Production Manager
Natsumi Matsumoto
- Lighting Equipment Support
Pi PHOTONICS, INC.
- Special Thanks
Kunitachi College of Music, Alternative Machine, Warner Music Japan, mixi, Inc.
Nagoya University 150th Anniversary Event: First Collaboration Between Androids and the Nagoya Philharmonic Orchestra-Keiichiro Shibuya Android Opera Scary Beauty
After Talk
Following the performance, an after-talk featuring Keiichiro Shibuya (Composer, musician), Kohei Ogawa (Researcher), Motohiro Kawashima (Composer, conductor), Shintaro Imai (Computer musician), and Takashi Ikegami (Researcher) will take place.
After-talk coordinator: Kenji Ohno, Vice President of Nagoya University
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- Concept, Composition, Direction, Piano
Keiichiro Shibuya
- Vocal
Alter3
- Conductor
Motoharu Kawashima
- Orchestra
Nagoya Philharmonic Orchestra
- Android Programming
Shintaro Imai, Takashi Ikegami
- Special Thanks
Kohei Ogawa
- Lighting
Takayuki Fujimoto (Kinsei R&D)
- Sound
Yoshiyuki Kanamori, So Matsumura, Yu Kudo, Ryohei Ikeda(Oasis)
- Video
Kotaro Konishi
- Live Streaming
Yuki Suzuki(Oasis)
- Technical Assistants
johnsmith, Yuki Yamashiro
- Stage Managers
So Ozaki, Kazuya Kushimoto
- Production Manager
Natsumi Matsumoto
- Lighting Equipment Support
Pi PHOTONICS, INC.
- Special Thanks
Kunitachi College of Music, Alternative Machine, Warner Music Japan, mixi, Inc.
Date : 2020/1/31 16:00 START
Venue : Sharjah Art Foundation, UAE
Inter-Resonance: Inter-Organics Japanese Performance and Sound Art
- M1
The Third Mind
- M2.
Introduction
- M3.
Scary Beauty
- M4.
The Decay of the Angel
- M5.
On Certainty
- Concept, Composition, Direction, Piano
Keiichiro Shibuya
- Vocals, Conducting
Alter 3 (Supported by mixi, Inc.)
- Orchestra Performance
NSO Symphony Orchestra (UAE)
- System Architect and Electronics
Kotobuki Hikaru
- Music Technical Adviser
Yasuaki Itakura, Motoharu Kawashima
- Sound Design
Yoshiyuki Kanamori, Yu Kudo (Oasis Sound Design Inc)
- Lighting Design
Takayuki Fujimoto (Kinsei R&D)
- Alter 3 Performance Operation & Development
johnsmith
- Video Operation
Kotaro Konishi
- Technical Assistant
Motoki Ohkubo
- Program Support
Masayuki Momo, Shinichi Yamaguchi, Koji Takahashi
- Stage Manager
So Ozaki, Kazuya Kushimoto
- Alter Series Hardware and Software Architecture Design & Programming
Hiroshi Ishiguro, Kohei Ogawa, Takashi Ikegami, Itsuki Doi
- Alter 3 Software Architecture Design & Programming
Atsushi Masumori, Norihiro Maruyama, Alternative Machine Inc
- Alter 3 Simulator Development
mixi, Inc.
- Score Writing
Nozomu Kaneda
- Vocaloid Support
Justine Emard
- Public Relations
Naoki Takami (Warner Music Japan)
- Production Management
Naomi Ohki, Natsumi Matsumoto, Misato Aonami
- Producer
Kazunao Abe
- Executive Producer
Takehito Masui (Warner Music Japan)
- Produced by
Warner Music Japan Inc / ATAK TOKYO CO, LTD
This festival, curated by Yuko Hasegawa (Councilor of the Museum of Contemporary Art Tokyo), focuses on performance art and sound installations that evoke new relationships between the natural world and materiality. The festival showcases works at various locations in Sharjah, embodying a unique Japanese philosophy of animism in the context of human and non-human interrelationships.
The Middle East premiere of the Android Opera Scary Beauty was held as the festival’s finale in September 2019 at the newly established Sharjah Performing Arts Academy. The performance was made possible through a collaboration with the local NSO Symphony Orchestra (UAE).
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- M1
The Third Mind
- M2.
Introduction
- M3.
Scary Beauty
- M4.
The Decay of the Angel
- M5.
On Certainty
- Concept, Composition, Direction, Piano
Keiichiro Shibuya
- Vocals, Conducting
Alter 3 (Supported by mixi, Inc.)
- Orchestra Performance
NSO Symphony Orchestra (UAE)
- System Architect and Electronics
Kotobuki Hikaru
- Music Technical Adviser
Yasuaki Itakura, Motoharu Kawashima
- Sound Design
Yoshiyuki Kanamori, Yu Kudo (Oasis Sound Design Inc)
- Lighting Design
Takayuki Fujimoto (Kinsei R&D)
- Alter 3 Performance Operation & Development
johnsmith
- Video Operation
Kotaro Konishi
- Technical Assistant
Motoki Ohkubo
- Program Support
Masayuki Momo, Shinichi Yamaguchi, Koji Takahashi
- Stage Manager
So Ozaki, Kazuya Kushimoto
- Alter Series Hardware and Software Architecture Design & Programming
Hiroshi Ishiguro, Kohei Ogawa, Takashi Ikegami, Itsuki Doi
- Alter 3 Software Architecture Design & Programming
Atsushi Masumori, Norihiro Maruyama, Alternative Machine Inc
- Alter 3 Simulator Development
mixi, Inc.
- Score Writing
Nozomu Kaneda
- Vocaloid Support
Justine Emard
- Public Relations
Naoki Takami (Warner Music Japan)
- Production Management
Naomi Ohki, Natsumi Matsumoto, Misato Aonami
- Producer
Kazunao Abe
- Executive Producer
Takehito Masui (Warner Music Japan)
- Produced by
Warner Music Japan Inc / ATAK TOKYO CO, LTD
Date : 2019/3/13 20:00 START
Venue : Robert-Schumann-Saal, Düsseldorf, Germany
- Concept, Composition, Direction, Piano
Keiichiro Shibuya
- Vocal & Conductor
Alter 3 (Powered by mixi, Inc.)
- Orchestral Performance
The Japanese Philharmonic Düsseldorf
- System Architect & Electronics
Hikaru Kotobuki
- Alter Series Joint Research
Hiroshi Ishiguro, Kohei Ogawa, Takashi Ikegami, Itsuki Doi
- Alter 3 Software Design & Development
Atsushi Masumori, Norihiro Maruyama, Alternative Machine Inc.
- Alter 3 Simulator Development
mixi, Inc.
- Alter 3 Performance Control & Development
Soyo Kandagawa (Gekidan Suigadou)
- Lighting
Takayuki Fujimoto (Kinsei R&D)
- Sound
Yoshiyuki Kanamori, Yu Kudo (Oasis Inc.)
- Visuals
Yoshihiro Yoshida
- Technical Assistant
John Smith
- Support Programming
Masayuki Momo, Shinichi Yamaguchi
- Stage Manager
Satoshi Ozaki
- Performance Advisors
Yasuaki Itakura, Motoharu Kawashima
- Score Preparation
Nozomi Kaneda, Osamu Suzuki
- Vocaloid Support
Justine Emard
- Public Relations
Naoki Takami (Warner Music Japan Inc.)
- Production
Naomi Ooki, Tamami Kanda, Kana Yoshikawa
- Producers
Kazunao Abe, Shigeru Ogawa
- Executive Producer
Takehito Masui (Warner Music Japan Inc.)
- Production by
Warner Music Japan Inc. / ATAK Tokyo Inc.
- Special Cooperation
Ishiguro Laboratory (Osaka University), Ikegami Laboratory (The University of Tokyo), The National Museum of Emerging Science and Innovation, Alternative Machine Inc., mixi, Inc.
- Cooperation
Init Inc., Crypton Future Media Inc., Pi Photonics Inc.
- Special Thanks
Hiroki Kimura (mixi, Inc.), Mahoro Uchida
- Concept, Composition, Direction, Piano
Keiichiro Shibuya
- Vocal & Conductor
Alter 3 (Powered by mixi, Inc.)
- Orchestral Performance
The Japanese Philharmonic Düsseldorf
- System Architect & Electronics
Hikaru Kotobuki
- Alter Series Joint Research
Hiroshi Ishiguro, Kohei Ogawa, Takashi Ikegami, Itsuki Doi
- Alter 3 Software Design & Development
Atsushi Masumori, Norihiro Maruyama, Alternative Machine Inc.
- Alter 3 Simulator Development
mixi, Inc.
- Alter 3 Performance Control & Development
Soyo Kandagawa (Gekidan Suigadou)
- Lighting
Takayuki Fujimoto (Kinsei R&D)
- Sound
Yoshiyuki Kanamori, Yu Kudo (Oasis Inc.)
- Visuals
Yoshihiro Yoshida
- Technical Assistant
John Smith
- Support Programming
Masayuki Momo, Shinichi Yamaguchi
- Stage Manager
Satoshi Ozaki
- Performance Advisors
Yasuaki Itakura, Motoharu Kawashima
- Score Preparation
Nozomi Kaneda, Osamu Suzuki
- Vocaloid Support
Justine Emard
- Public Relations
Naoki Takami (Warner Music Japan Inc.)
- Production
Naomi Ooki, Tamami Kanda, Kana Yoshikawa
- Producers
Kazunao Abe, Shigeru Ogawa
- Executive Producer
Takehito Masui (Warner Music Japan Inc.)
- Production by
Warner Music Japan Inc. / ATAK Tokyo Inc.
- Special Cooperation
Ishiguro Laboratory (Osaka University), Ikegami Laboratory (The University of Tokyo), The National Museum of Emerging Science and Innovation, Alternative Machine Inc., mixi, Inc.
- Cooperation
Init Inc., Crypton Future Media Inc., Pi Photonics Inc.
- Special Thanks
Hiroki Kimura (mixi, Inc.), Mahoro Uchida
Date : 2018/7/22 20:30 START
Venue : Symbol zone(ground floor), Miraikan(National Museum of Emerging Science and Innovation)
- Concept, Composition, Direction, Piano
Keiichiro Shibuya
- Vocal & Conductor
Alter 2
- Orchestral Performance
Orchestra of Volunteer Students & Alumni from Kunitachi College of Music
- Android Development & Joint Research
Hiroshi Ishiguro, Kohei Ogawa (Android Production), Takashi Ikegami, Itsuki Doi (Android Programming)
- System Architect & Electronics
Hikaru Kotobuki
- Support Programming
Masayuki Momo, Shinichi Yamaguchi
- Lighting
Takayuki Fujimoto
- Sound
Yoshiyuki Kanamori
- Visuals
Tomohito Wakui
- Stage Manager
Satoshi Ozaki
- Technical Assistant
John Smith
- Orchestra Performance Supervision
Motoharu Kawashima
- Orchestra Performance Guidance
Yasuaki Itakura
- Score Preparation
Osamu Suzuki
- Sound Program Support
Daichi Miyata
- Vocaloid Support
Justine Emard
- Supervisor
Takehito Masui (Warner Music Japan Inc.)
- Production
Naomi Ooki, Tamami Kanda, Momoko Nakamura
- Organizer
ALIFE Lab.
- Co-organizer
The National Museum of Emerging Science and Innovation
- Special Cooperation
Ishiguro Laboratory (Osaka University), Ikegami Laboratory (The University of Tokyo), Alternative Machine Inc., Canon Marketing Japan Inc.
- Cooperation
Innovator Japan Inc., Warner Music Japan Inc., Various Dimensions Inc., Tohjak inc., Yamaha Music Japan Co., Ltd., Crypton Future Media Inc., NATIVE INSTRUMENTS JAPAN Inc., Hi-Resolution Co., Ltd., Casio Computer Co., Ltd., Pi Photonics Inc., Tama Tech Lab, Studio ATLAS
- Sponsorship
Orange Inc.
- Grant Support
Arts Council Tokyo, Tokyo Metropolitan Foundation for History and Culture
The operatic performance Scary Beauty, conceived and directed by composer and musician Keiichiro Shibuya, features a humanoid android with artificial intelligence (AI) that conducts a human orchestra and sings alongside the players. Although Shibuya composed the music, the android, Alter 3, is responsible for deciding and leading tempo, volume and singing expression.
The opera lyrics are an amalgamation of critical texts: a love song by Michel Houellebecq, cut-up texts by William S. Burroughs, extracts from Ludwig Wittgenstein’s last work, On Certainty, and others.
A metaphor for the transitional nature of the relationship between humans and technology, the performance shows the fatalistic side of the future, where humans cannot exist without the technology they create.
A prototype of the opera with an early version of the android was performed in Australia in 2017. The work then had its world premiere with an updated android called Alter 2 at ALIFE 2018, which was an international conference on artificial life at the Miraikan, Tokyo. Alter 2 was created by robot scientist Hiroshi Ishiguro, and it used an autonomous AI program developed by artificial life scientist Takashi Ikegami. Alter 3 is the newest iteration of the android, further developed by the scientists with contributions from mixi, Inc. and Warner Music Japan Inc. The latest version of the opera with Alter 3 was successfully performed in Düsseldorf in 2019 and in Sharjah (UAE) in 2020 Jan.
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1/1
- Concept, Composition, Direction, Piano
Keiichiro Shibuya
- Vocal & Conductor
Alter 2
- Orchestral Performance
Orchestra of Volunteer Students & Alumni from Kunitachi College of Music
- Android Development & Joint Research
Hiroshi Ishiguro, Kohei Ogawa (Android Production), Takashi Ikegami, Itsuki Doi (Android Programming)
- System Architect & Electronics
Hikaru Kotobuki
- Support Programming
Masayuki Momo, Shinichi Yamaguchi
- Lighting
Takayuki Fujimoto
- Sound
Yoshiyuki Kanamori
- Visuals
Tomohito Wakui
- Stage Manager
Satoshi Ozaki
- Technical Assistant
John Smith
- Orchestra Performance Supervision
Motoharu Kawashima
- Orchestra Performance Guidance
Yasuaki Itakura
- Score Preparation
Osamu Suzuki
- Sound Program Support
Daichi Miyata
- Vocaloid Support
Justine Emard
- Supervisor
Takehito Masui (Warner Music Japan Inc.)
- Production
Naomi Ooki, Tamami Kanda, Momoko Nakamura
- Organizer
ALIFE Lab.
- Co-organizer
The National Museum of Emerging Science and Innovation
- Special Cooperation
Ishiguro Laboratory (Osaka University), Ikegami Laboratory (The University of Tokyo), Alternative Machine Inc., Canon Marketing Japan Inc.
- Cooperation
Innovator Japan Inc., Warner Music Japan Inc., Various Dimensions Inc., Tohjak inc., Yamaha Music Japan Co., Ltd., Crypton Future Media Inc., NATIVE INSTRUMENTS JAPAN Inc., Hi-Resolution Co., Ltd., Casio Computer Co., Ltd., Pi Photonics Inc., Tama Tech Lab, Studio ATLAS
- Sponsorship
Orange Inc.
- Grant Support
Arts Council Tokyo, Tokyo Metropolitan Foundation for History and Culture
Date : 30 Sep 2017 18:00, 1 Oct 14:00
Venue: Space Theatre Adelaide Festival Centre
- ARTIST
Keiichiro Shibuya + Skelton
“Scary Beauty” is the concept advocated by Keiichiro Shibuya and will continue to develop in various projects in future.
“Scary beauty” is a new mono opera performed by “Skelton”(humanoid android) with human orchestra. This android has been developed by Hiroshi Ishiguro(professor in Osaka University) and improved the degree of freedom in motion like human by Takashi Ikegami(professor in Tokyo University).
The music has three parts, each part is composed of a collage of text in each works by Michel Houellebecq, Yukio Mishima and William Burroughs. This texts is selected as imaging a weird scene after all mankind become extinct. Android in asexual condition sings in a synthetic voice with a 10 peace traditional chamber orchestra.
And a worldwide fashion house “sacai”, leaded by Chitose Abe produces android’s costume.
When seeing scenes from a motion like human to a motion cannot human do with a weird voice cannot human utter by android, what is on our mind? There are coexistence of some elements beyond our image and contrast, audience will gain a new feeling between scary and beauty.
The motion on “Skelton” is not programed in advance, it is generated by orchestra performance in real time. This generating system adopt “Spiking neural network” composed of a model copying neuron systems in human brain. An output of this network is expressed as android’s behavior, it has many patterns from kind of periodic to chaotic, it depends on a performance by human orchestra. It is world’s first performance with android and human.
Australian Art Orchestra(AAO),succeeding multidisciplinary activities as contemporary music ensemble performs with android. Shibuya plays as composer, conductor and piano player.
In stage production, Takayuki Fujimoto produces stage lighting and Tomohito Wakui produces projected image. There is a large two plane screen behind the stage, projected a live broadcasting on the stage and edited video in advance, with lighting by full use of LED.
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- ARTIST
Keiichiro Shibuya + Skelton