Ebisu The Garden Hall, Tokyo (2024)

Date: Tuesday, June 18, 2024

Doors Open: 6:00 PM, Performance Begins: 7:00 PM

Venue: Ebisu The Garden Hall

CREDIT

Part I: Super Angels Excerpts

Concept, Composition, Piano, Electronics

Keiichiro Shibuya

Lyrics

Masahiko Shimada

Vocal

Android Alter 4

Chorus

White Hand Chorus NIPPON (Chorus Conductor: Hiroo Kato, Hand Sign Conductor: Erika Coron)

Solo Violin

Reina Nagano

Orchestra

Android Opera TOKYO Orchestra (Concertmaster: Tatsuki Narita)

Android Programming

Shintaro Imai

Visuals

Yuma Kishi

Costumes (White Hand Chorus NIPPON)

HATRA, NOVESTA

 

 

 

Part II: Android Opera MIRROR

Concept, Composition, Piano, Electronics

Keiichiro Shibuya

Vocal

Android Alter 4

Shomyo

Koyasan Shomyo (Yasuhiro Yamamoto, Taiko Kashihara, Hoshin Tani, Shoei Kametani)

Orchestra

Android Opera TOKYO Orchestra (Concertmaster: Tatsuki Narita)

Visuals

Justine Emard

Android Programming

Shintaro Imai

 

 

 

Organizer, Production, Management

ATAK TOKYO CO, LTD.

Co-organizer

Osaka University of Arts

Cooperation

TV Asahi

Special Android Cooperation

Department of Art Science, Osaka University of Arts

Production Cooperation

Communication Design Center, Dentsu Lab Tokyo, Flex Co., Ltd.

Special Sponsorship

PwC Consulting LLC

Sponsorship

POLA Inc., Sowa Delight Inc.

Subsidy

Arts Council Tokyo, Tokyo Metropolitan Foundation for History and Culture

On June 18th, at Ebisu The Garden Hall, the Tokyo homecoming performance of the android opera “MIRROR,” composed and produced by Keiichiro Shibuya, took place under the title ANDROID OPERA TOKYO. This work is a large-scale theatrical production first staged in 2023 at the Théâtre du Châtelet in Paris. It features a combination of the android, an orchestra, Shomyo (Buddhist chant), Shibuya’s piano performance, electronic music, and video and lighting. The work was presented at Expo 2020 Dubai in 2022 and was later re-created as a 70-minute piece. After its premiere in Paris, this is its first performance in Japan.

The first part of the performance features excerpts from the new opera “Super Angel,” which was commissioned by the New National Theatre and premiered in 2021. This opera involves children and an android in its creation. Thirty members of the “White Hand Chorus NIPPON,” a children’s choir of children with diverse backgrounds, including deaf and visual impairments, participate. In addition to Shibuya’s piano and orchestral performance, the android, and emerging artist Yuma Kishi’s AI-powered visuals, the children’s costumes are a collaboration with HATRA.

In the second part, the android “Alter 4” is the vocalist in “MIRROR.” Four Buddhist monks from Mount Koya, including Shomyo performers, participate, with young monk Tani Hoshin leading for the first time. A French visual artist, Justine Emard, live-mix visuals for the performance. For the Tokyo performance, a 40-member orchestra gathered, with violinist Tatsuki Narita, famous in classical and contemporary music, as the concertmaster.

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CREDIT

Part I: Super Angels Excerpts

Concept, Composition, Piano, Electronics

Keiichiro Shibuya

Lyrics

Masahiko Shimada

Vocal

Android Alter 4

Chorus

White Hand Chorus NIPPON (Chorus Conductor: Hiroo Kato, Hand Sign Conductor: Erika Coron)

Solo Violin

Reina Nagano

Orchestra

Android Opera TOKYO Orchestra (Concertmaster: Tatsuki Narita)

Android Programming

Shintaro Imai

Visuals

Yuma Kishi

Costumes (White Hand Chorus NIPPON)

HATRA, NOVESTA

 

 

 

Part II: Android Opera MIRROR

Concept, Composition, Piano, Electronics

Keiichiro Shibuya

Vocal

Android Alter 4

Shomyo

Koyasan Shomyo (Yasuhiro Yamamoto, Taiko Kashihara, Hoshin Tani, Shoei Kametani)

Orchestra

Android Opera TOKYO Orchestra (Concertmaster: Tatsuki Narita)

Visuals

Justine Emard

Android Programming

Shintaro Imai

 

 

 

Organizer, Production, Management

ATAK TOKYO CO, LTD.

Co-organizer

Osaka University of Arts

Cooperation

TV Asahi

Special Android Cooperation

Department of Art Science, Osaka University of Arts

Production Cooperation

Communication Design Center, Dentsu Lab Tokyo, Flex Co., Ltd.

Special Sponsorship

PwC Consulting LLC

Sponsorship

POLA Inc., Sowa Delight Inc.

Subsidy

Arts Council Tokyo, Tokyo Metropolitan Foundation for History and Culture

Theatre du Chatelet, Paris (2023)

Date: 21-23 June, 2023

Venue: Théatre du Châtelet

Co-Realisation: Théâtre du Châtelet, ATAK, The Japan Foundation

Duration: 70mins

CREDIT
Concept, composition, piano, electronics

Keiichiro Shibuya

Lyrics

exerpts from The Possibility of an Island of Michel Houellebecq, On Certainty of Ludwig Wittgenstein, as well as generated by GPT technology

Vocal

Android – Alter4

Buddhist Chant

Eizen Fujiwara, Yasuhiro Yamamoto, Taiko Kashihara, Hoshin Tani, Shoei Kametani members of the ensmble Koyasan Shomyo

Video creation

Justine Emard

Android programming

Shintaro Imai

Android design

Hiroshi Ishiguro

Orchestra Appassionato

*Courtesy of the Master and Fellows of Trinity College Cambridge, translated into French by Danièle Moyal Sharrock © Editions Gallimard.

 

 

Artistc direction

Keiichiro Shibuya

Orchestration

Keiichiro Shibuya

Sound design

Yuki Suzuki

Production sound engineer

Unisson Design

Light design

Go Ueda

Android real-time projection

Kotaro Konishi

Stage Manager

So Ozaki

Assistant of Justine Emard

Bérangère Pollet, with the software assistance of Thomas Zaderatzky

Assistant of production

Shigeru Ogawa

 

 

Recording

Sound recording

Unisson Design, François Baurin

Filming

Jérémie Schellaert

Communication

Thierry Messonnier

Graphic design

Ryoji Tanaka (Semitransparent Design)

Direction of production

Natsumi Matsumoto

Production

ATAK

 

 

Android – Alter4 belongs to Osaka University of Arts

Technical Support

NATIVE INSTRUMENTS, Yamaha Corporation, YAMAHA MUSIC JAPAN CO., LTD., Sibelius by Rygasound, Genelec, Sony Computer Science Laboratories, Inc.

Android Music and Science Laboratory

Kawagoshi Sota, Kento Tanaka, Takumi Morimoto

Assistant of orchestrastion and production of music scores

Hiroto Kikukawa, Yuto Moritani, Yoko Nishimura

Special thanks

Kazuyo Sejima & Associates, Aya Soejima, Noriko Carpentier-Tominaga, Takashi Ikegami, Kenshu Shintsubo, Ayaka Endo, Nino Satoru, Christophe Brunnquell, Jean-Luc Choplin

The world premiere of Keiichiro Shibuya’s Android Opera® MIRROR took place over three days starting on Wednesday, June 21, 2023, at Théâtre du Châtelet, the oldest theatre in Paris. The production featured the android Alter 4 as its central performer, with Shibuya on piano and electronics, a 47-piece Orchestre Appassionato, five Buddhist monks from Koyasan chanting Shōmyō, and visuals by his longtime collaborator, French artist Justine Emard.

Exactly ten years earlier, the then-director of Théâtre du Châtelet, Jean-Luc Choplin, was so struck by Shibuya’s Vocaloid Opera THE END that he decided to stage it on the spot during their first meeting. The production went on to tour internationally and became a turning point in Shibuya’s European career. A decade after THE END, and on June 21—the day of France’s nationwide Fête de la Musique, where music fills the streets through the night—MIRROR had its long-awaited premiere at Théâtre du Châtelet.

 

Read a review by TOKION

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CREDIT
Concept, composition, piano, electronics

Keiichiro Shibuya

Lyrics

exerpts from The Possibility of an Island of Michel Houellebecq, On Certainty of Ludwig Wittgenstein, as well as generated by GPT technology

Vocal

Android – Alter4

Buddhist Chant

Eizen Fujiwara, Yasuhiro Yamamoto, Taiko Kashihara, Hoshin Tani, Shoei Kametani members of the ensmble Koyasan Shomyo

Video creation

Justine Emard

Android programming

Shintaro Imai

Android design

Hiroshi Ishiguro

Orchestra Appassionato

*Courtesy of the Master and Fellows of Trinity College Cambridge, translated into French by Danièle Moyal Sharrock © Editions Gallimard.

 

 

Artistc direction

Keiichiro Shibuya

Orchestration

Keiichiro Shibuya

Sound design

Yuki Suzuki

Production sound engineer

Unisson Design

Light design

Go Ueda

Android real-time projection

Kotaro Konishi

Stage Manager

So Ozaki

Assistant of Justine Emard

Bérangère Pollet, with the software assistance of Thomas Zaderatzky

Assistant of production

Shigeru Ogawa

 

 

Recording

Sound recording

Unisson Design, François Baurin

Filming

Jérémie Schellaert

Communication

Thierry Messonnier

Graphic design

Ryoji Tanaka (Semitransparent Design)

Direction of production

Natsumi Matsumoto

Production

ATAK

 

 

Android – Alter4 belongs to Osaka University of Arts

Technical Support

NATIVE INSTRUMENTS, Yamaha Corporation, YAMAHA MUSIC JAPAN CO., LTD., Sibelius by Rygasound, Genelec, Sony Computer Science Laboratories, Inc.

Android Music and Science Laboratory

Kawagoshi Sota, Kento Tanaka, Takumi Morimoto

Assistant of orchestrastion and production of music scores

Hiroto Kikukawa, Yuto Moritani, Yoko Nishimura

Special thanks

Kazuyo Sejima & Associates, Aya Soejima, Noriko Carpentier-Tominaga, Takashi Ikegami, Kenshu Shintsubo, Ayaka Endo, Nino Satoru, Christophe Brunnquell, Jean-Luc Choplin

EXPO, Dubai (2022)

Date: 2nd March, 2022
Venue: Jubilee Stage, Dubai EXPO

CREDIT
Concept, Composition, Direction, Piano, Electronics

Keiichiro Shibuya

Buddhist Music

Eizen Fujiwara, Yasuhiro Yamamoto, Jien Goto, Hoshin Tani

Orchestra

NSO Symphony Orchestra (UAE)

 

 

Android Programming

Shintaro Imai

Visual

Justine Emard

Lighting

Go Ueda

Sound

Yuki Suzuki

Technical Management

So Ozaki

Project/Production Management

Natsumi Matsumoto

 

 

Production

ATAK

Organizing

Japan Pavilion

“Android is a mirror.
Music is a mirror.
It is a reflection of yourselves.
What is the boundary between existence and non-existence?
What is the boundary between past and future?
And where do they exist?
Let’s celebrate this new experience together.”

– Keiichiro Shibuya

 

The Android Opera MIRROR is an opera composed and produced by Keiichiro Shibuya, commissioned as part of Japan’s official program for Expo 2020 Dubai. The performance featured the android Alter 3, Buddhist Shōmyō chanting led by Eizen Fujiwara—representing a musical tradition with a 1,250-year history—and the UAE-based NSO Orchestra. As Shibuya performed on piano and electronics alongside the orchestra, Alter 3 sang AI-generated text improvised, interwoven with the voices of Koyasan’s Shōmyō chanters.

This work explores a new model of artistic harmony by bringing together diverse cultural and technological elements—human and non-human voices, ancient Buddhist music and cutting-edge AI. The stage design placed Alter 3 at the center, encircled by Shōmyō singers, Shibuya’s piano and computer, and an outer ring of 45 orchestral musicians. The performance incorporated powerful electronic sounds and noise, creating a ritualistic and celebratory atmosphere. Unlike Shibuya’s previous android operas, Scary Beauty (2018) and Super Angels (2021), which deconstructed Western opera traditions, MIRROR embraces a festival-like format, serving as the culmination of his recent explorations with androids, Shōmyō, electronic music, orchestra, and piano.

In Dubai, the performance took place on a large outdoor stage within the Expo site. The visuals, projected onto a massive screen on stage, were created by Justine Emard, a longtime collaborator of Shibuya. Additional screens around the venue displayed real-time close-ups of Alter 3’s expressions, interwoven with Emard’s video work incorporating Buddhist motifs from Koyasan, captured and transformed through 3D scanning. Integrating lighting effects on both the venue and Alter 3 further enhanced the immersive visual experience.

 

Dubai Expo Official Website

Read a review by TOKION

 

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CREDIT
Concept, Composition, Direction, Piano, Electronics

Keiichiro Shibuya

Buddhist Music

Eizen Fujiwara, Yasuhiro Yamamoto, Jien Goto, Hoshin Tani

Orchestra

NSO Symphony Orchestra (UAE)

 

 

Android Programming

Shintaro Imai

Visual

Justine Emard

Lighting

Go Ueda

Sound

Yuki Suzuki

Technical Management

So Ozaki

Project/Production Management

Natsumi Matsumoto

 

 

Production

ATAK

Organizing

Japan Pavilion