Keiichiro Shibuya appears on the YouTube channel “Yukiko Sumi’s Yabai Empire.”
Keiichiro Shibuya to Appear on DOMMUNE’s “Vocal Cord AI Summit: Day 1” with Naohiro Ukawa and Takashi Ikegami.
Android Opera “MIRROR – Deconstruction and Rebirth” to premiere this May at Osaka Festival Hall, with Keiichiro Shibuya and Android Maria appearing at the press conference.
Keiichiro Shibuya served as the music and sound producer for POLA SALON+ AOYAMA, where the sound installation work “Abstract Music” has been permanently installed. The spatial design was produced by Kazuyo Sejima.
ATAK Academy launches with its first session on Saturday, January 17, featuring Hidetaka Ishida’s lecture, “Art in the Age of AI — The Grammatology of Android Opera.”
Keiichiro Shibuya to Perform a Concert at the Grand Palais in Paris This March, Showcasing a New Stage through International Collaboration.
On Friday, March 14th, Keiichiro Shibuya will hold a concert at the Grand Palais, a large-scale art museum in Paris, France.
This concert is part of the closing events for Chiharu Shiota’s exhibition “The Soul Trembles,” which will conclude on Wednesday, March 19th.
At the opening of the event, Shibuya’s sound installation work “Abstract Music,” which realizes “an ever-changing soundscape that never repeats,” will resonate throughout the venue. Alongside this, a poetry reading will overlap with the music, generated by an AI program created by the up-and-coming artist Hirofumi Kishi, which continuously produces poetry. Audience members will be able to walk freely through the space, experiencing a new form of art blending music and AI in the unique setting of an art museum.
The concert, titled “MIRROR Ghost,” presents an apocalyptic concept by stripping away the symbolism and iconic elements of Shibuya’s past “Android Opera”—such as physical androids and human orchestras—and replacing them with artificial expressions, making them appear like “ghosts.” Synthetic vocals and artificial orchestras will be played through surround speakers, enveloping the audience. In an atmosphere of alternating sophisticated lighting effects and mist, projections will cast lyrics floating in the air, allowing only immaterial elements to emerge like “ghosts” in the darkness. The sole “human performance” will be Shibuya’s delicate piano playing, serving as a metaphor for a human facing the end of the world.
Furthermore, this project aims to foster the development of young creators and promote their international experience. It involves not only artists but also creators aspiring to become stage staff and producers. By collaborating with local venues, artists, and staff, the project encourages hands-on international experience and the building of global networks.
ABOUT
Date : 14th, March, 2025 Open 20:30 / Start 21:00
Venue : Grand Palais
CREDIT
Piano, Electronics, Composition : Keiichiro Shibuya
Lighting, Video, Stage Design : MFO、Ruben Spini
Sound Design : Unisson design, Yuki Suzuki
Sound Programming : Shintaro Imai
AI Programming : Yuma Kishi
Executive Production : Hyphen
Production : ATAK
Co-production : Grand Palais RMN
Supported by: Fund for the Promotion of Cultural and Artistic Activities (Creator Development and Cultural Facility Value Enhancement Project) | Agency for Cultural Affairs, Government of Japan Japan Arts Council
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