Co-production between Keiichiro Shibuya and Sir Wayne McGregor in collaboration with Kazuyo Sejima
Press Conference on June 10 for a New International Co-Production by Keiichiro Shibuya and Sir Wayne McGregor, with architect Kazuyo Sejima.
Keiichiro Shibuya to Perform at PRADA MODE OSAKA on June 7 & 8. Presenting “COEXISTENCE” with Sir Wayne McGregor + Sound Installation Exhibition
Keiichiro Shibuya composed a new piece titled Ring for Violin and Piano for the Cartier Women’s Initiative, premiered at the opening of the award ceremony.
Keiichiro Shibuya to Perform a Concert at the Grand Palais in Paris This March, Showcasing a New Stage through International Collaboration.
MASSIVE LIFE FLOW – public production of music
『MASSIVE LIFE FLOW: Keiichiro Shibuya’s ‘Public Production of Music’』
ABOUT
Place:Gallery Koko
http://www.gallery-koko.com/
2-18-3 Ebisu Minami, Shibuya-ku, Tokyo, 2nd Floor Kyoden Building
Exhibition period: April 17 to 26 (Closed on April 25)
Hours: 13:00 to 18:00
Free admission
CREATION
Spatial Design: Shohei Shigematsu
Photography: Shin Suzuki
SUMMARY
Gallery Koko will host a public production by musician Keiichiro Shibuya from April 17 to 26. This project aims to publicly display the process and act of music creation, presenting a new installation that differs from traditional methods and multifaceted data representation.
A grand piano, computer, speakers, and keyboard used by Shibuya will be brought into the gallery, and through the spatial reconfiguration by architect Shohei Shigematsu, a studio that exists neither in virtual nor real space will emerge.
During the ten-day period from April 17 to 26, Shibuya will engage in his usual music production activities such as composition, performance, rehearsals, and meetings, all of which will be publicly broadcast in the gallery space and on Ustream. Visitors to the gallery will be able to see and hear his composing fingers and the keys through expanded projections captured by multiple fixed cameras, while Ustream will provide real-time access to the experience.
This serves as a microcosm of contemporary creative acts, taking place within the boundary between observation and surveillance. By witnessing this unprecedented “public production of music,” share the time as the maestro brings music to life.