Keiichiro Shibuya appears on the YouTube channel “Yukiko Sumi’s Yabai Empire.”
Keiichiro Shibuya to Appear on DOMMUNE’s “Vocal Cord AI Summit: Day 1” with Naohiro Ukawa and Takashi Ikegami.
Android Opera “MIRROR – Deconstruction and Rebirth” to premiere this May at Osaka Festival Hall, with Keiichiro Shibuya and Android Maria appearing at the press conference.
Keiichiro Shibuya served as the music and sound producer for POLA SALON+ AOYAMA, where the sound installation work “Abstract Music” has been permanently installed. The spatial design was produced by Kazuyo Sejima.
ATAK Academy launches with its first session on Saturday, January 17, featuring Hidetaka Ishida’s lecture, “Art in the Age of AI — The Grammatology of Android Opera.”
Lecture “How to create Keiichiro Shibuya”@ Tama Art University
Tama Art University, Faculty of Art, General Education Center
Joint Project: Sound Composition Seminar + Design Theory (Performance Theory) Seminar
ABOUT
Special Lecture: “How Keiichiro Shibuya is Made”
Date and Time: October 26, 2006, 17:00-18:30
Venue: Tama Art University, Hachioji Campus, Lecture Building C Hall
Host: ヲノサトル (Associate Professor, Faculty of Art)
Keiichiro Shibuya, a musician, composer, and producer who leads the renowned electronic sound label “ATAK,” continues to release cutting-edge works that have garnered attention both domestically and internationally. He actively collaborates with talents from other fields, including contemporary music master Yuji Takahashi, complex systems researcher Takashi Ikegami, and media artist Masaki Fujihata. In the summer of 2006, he presented a large-scale sound installation titled “filmachine” at YCAM (Yamaguchi Center for Arts and Media), and in the fall, he released his latest album “ATAK008 Keiichiro Shibuya + Norbert Moslang + Toshimaru Nakamura.” This talk will introduce the trajectory of his evolving activities, which reject simplistic binaries such as creation/criticism, performance/composition, and repetition/difference.